Review: Cabane – “Grande Est La Maison”

There are only so many tablespoons of sugar you can put into your tea or coffee before it’s just sugar, with a spot or hint of the caffeine that’s supposed to drive it through your nervous system. That seems to be the main problem with Grande Est La Maison, the newest LP from Brussels-based composer Thomas…

Review: Bonnie “Prince” Billy – “BPB Mix Tape Vol. 5”

Any musician who’s released 25 studio LPs (did I count that right?) must bear a treasure trove of outtakes and demos, amirite? But Will Oldham always has been more than just prolific, just a man who has, y’know, a lot of songs. Since 1993 – the year he released the epic, Slint-assisted Depression blues of…

Review: Will Oldham – “Songs of Love and Horror”

Songs of Love and Horror — a new LP, out alongside a tome of lyrics last week via Drag City, wherein the acclaimed singer-songwriter Will Oldham unfurls tender incantations of songs from the Palace and Bonnie “Prince” Billy catalogues — is frighteningly, frighteningly evocative stuff. It also might be the indie-folk icon’s finest record in…

Louisville-Born, Brooklyn-Based — PROFILE: David Grubbs (2006)

The classroom is empty, the students more than an hour away, but David Grubbs sits behind a console in an unassuming Brooklyn College radio laboratory, tinkering with faders and talking about the aesthetics of sound art as if one of his classes already was in session. In this performance space without an audience, he’s dressed…

REVIEW: Bonnie “Prince” Billy – Singer’s Grave A Sea of Tongues

Singer-songwriter Will Oldham, that old Palace ring-leader turned “Prince,” just has released a new collection of emotive acoustics titled Singer’s Grave A Sea of Tongues – and, hands down, it is easily the best record he’s done since Lie Down In The Light. The backbone of the record is reminiscent of 2001’s Ease Down The…