Review: Wet Fruit – S/T

The songs just skitter away in a delightful pop of Roman candles on Wet Fruit’s self-titled, debut LP, out last week on digital and cassette via Seattle’s Halfshell Records, each composition uniquely frenetic and painted with minute detail to texture and tone. But to write off the ascending Portland quartet as some incantation of art-rock…

Review: Alder & Ash – “The Crowneater”

There’s no place to enter The Crowneater – the new LP from Alder & Ash, out Dec. 6 via Mendicant – because the whole record is just that damned incredible. From the fine-textured drones of opener “Breath of the Ashen Earth” to the cello-whistling dissonance that kicks off closer “Still Breathing, Still Born” eight tracks…

Profile: Flower Crown (2019)

What was Pittsburgh musician Richie Colosimo listening to while his band, Flower Crown, tracked dream-pop single “High Fantasy” at Mr. Small’s recording studio in October? Black metal, of course – why do you ask? “I know they’re kind of polar opposites but the things I’ve always liked about [black metal] are the walls of sound…

Review: Monotrope – “Immutable Future”

Monotrope’s new record is a wondrously dense thatch of black thorns and I love it for that. In case you’re just joining the show, the quartet, which should be storied by now, features a Touch and Go Records alumnus (who also happens to play in Bellini), a Pittsburgher and two members of Unraze. And, if…

Review: Memory Drawings – “Phantom Lights”

Phantom Lights is the new mini-LP from sorta-post-rock-ish neo-classical ensemble Memory Drawings, out two weeks ago via the Greek boutique label Sound In Silence. But, truth be told, it’s not really a “new” record. The self-described “Anglo/American collective” actually first self-released the six-song offering as a limited-run, tour-only CD in 2018. But Sound In Silence…

Profile: TRVSS (2019)

There are shreds of feedback and, waiting, waiting, waiting, also an air of anticipation as members of Pittsburgh trio TRVSS wait for WRCT DJ Sean Cho to peer through the studio glass and give them the thumbs up to start. Then, after a requisite “Alright, go!” TRVSS erupts over the airwaves and, figuratively, of course,…

Review: Pan-American – “A Son”

A Son is the name of Chicagoan Mark Nelson’s latest release as Pan-American, out last week via Kranky. And, even by Pan-American standards, it is a startlingly human and naked thing. Nelson’s outside-Labradford project often has come loaded with the lynchpins of glitch and dub: the careful arrangements, even – sometimes especially – of arguably…

Concert Review: Tool (2019)

The prog-metal quartet Tool exudes context, from its rich LPs, full of epic songs and epic phrasings, to its historiography as a band, which is ripe, unfortunately, with legal headaches and more than its share of silence. (More than a decade passed between the band’s last and newest LPs.) But the group largely avoided the…

Review: Fox Medicine – “Procedures Mystique”

No less an authority on sludge and the seedy intersection of punk and metal than Melvins/Tool board-helmer Toshi Kasai recently described Portland duo Fox Medicine as an amalgamation of “Black Sabbath with J-Pop vocals.” And, yeah, that sounds about right. (The band offers up a description of a fictional noise-genre: “bubblegum doom.) The nascent band’s…